Category: Family Drama

Family Drama

The same as it ever was by Claire Lombardo

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It is obvious that Lombardo can tell a story. She is able to create characters that are well drawn out and complex. She is able to keep them consistent over time. But she is also able to draw out a tale longer than it should be.

The story centers around the main character, Julia. She is a mother, a wife, and a daughter. She is not very likable. We hear interior dialog of her throughout, always stating that she was playing at how she thought people should act, and felt abnormal for the way she was unable to act toward people. The story we hear is weaved together by flashbacks and at times can be confusing as to where you are. This becomes more of a distraction to me, as I just want to hear the tale move forward, having context at once to understand what is happening, not having it piecemealed out.

Julia’s son, a teaching assistant at a nearby college, informs his parents (Julia and Mark) and sister Alma that he is getting married to a former student that he had impregnated. This leads Julia to swirl into the past, wallowing in her self-loathing for failing everyone.

Julia was brought up by a mother that was manipulative and distant. Julia doesn’t feel worth loving; this lack of worthlessness was ingrained by her mother, who knew that would be the meanest thing to do to Julia.

We see that Julia longs for a relationship she sees as motherly, leading her to Helen. Julia falls hard, finally getting the relationship she wanted with her mother. All this comes apart at the seams, as this becomes a well-worn path of destruction.

It is through the planning of the wedding that Julia begins to see how others viewed her – such as Francine, Mark’s best friend’s wife, and an intern at the library that was in awe of her. Her perception was not the way she felt she presented herself to others. Perception is reality, and Julia couldn’t reconcile this.

I didn’t care for this self-centered woman that blamed everything on her mother and hid from life thinking she was the only one that had it hard. She never accepted that she played a part in the break with her mother, or entertained the thought that her mother taught her the path toward pushing others out before they hurt you. Julia floated through life, trying not to be her mother, but yet going down the path of destruction she illuminated.  If Julia, and her mother, would only be honest with themselves and open to hearing from others instead of shutting them out, then maybe they could have had less lonely.

Family Drama, Women's literature

The nature of fragile things by Susan Meissner

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Susan Meissner has once again taken a real-life experience and made it come to life with engaging people to watch experience the event. This is the story of Sophie, an Irish immigrant living in a terrible tenement in New York City, who answers an ad for marriage to a widowed man with a young child in San Francisco.

Martin Hocking meets her train, and they go directly to city hall. Sophie insists upon having a photograph taken to commemorate the occasion. After that he brings her to a beautiful home to meet his 5-year-old silent daughter, Kat. Martin leaves them that night to go on a business trip. Sophia takes her responsibility to Kat seriously, and the bond between them grows, while interactions with Martin are stilted and cold.

On April 18, 1906 a pregnant woman named Belinda comes to the door looking for her husband. Sophie begins to put answers to questions she never fully acknowledged but now must face. As the two women piece together the information they have, the earth begins to quake. San Francisco sustains significant damage, and fires begin to rage. Sophie takes charge, making sure that Belinda and Kat are with her and taken care of. It is Sophie’s poverty history that helps make sure they all survive and continue to search for answers to questions asked before the quake.

It is the resilience of women, and the understanding of what is right and just, that brings the surprising ending – no spoilers here. This is a reminder that most things are not as they seem, and not all stories have a happy ending.

book-review, Family Drama, Women's literature

Every Tom Dick and Harry by Elinor Lipman

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Elinor Lipman hits upon another fun one. Emma Lewis is taking over her parent’s estate sale business. She is living in their home rent free, and her father’s friend and her high school algebra teacher Frank is moving in as a renter. A former “bed and breakfast” that had more use for the beds than for breakfast, is going up for sale and an estate sale is needed. Emma jumps on the opportunity, coming to realize the open secret of the town – it was a brothel. Emma begins dating the handsome new Police Chief, and Frank begins dating the mother. Screwball comedy ensues. Light, fun romantic comedy.

book-review, books, Family Drama, reading, Women's literature

The Wedding People by Alison Espach

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When you read the book’s description, you expect a fun romantic comedy. Phoebe Stone is the only hotel guest who isn’t part of a big wedding in Newport, Rhode Island. It sounds like a light story. But that first impression is wrong.

Phoebe arrives in Newport with only a green dress and a plan to end her life. She even blurts out her plan to the bride, Lila, in the elevator. Lila becomes angry because a death at the hotel would ruin her perfect wedding week.

Phoebe, who has spent years hiding her pain, suddenly starts telling the truth to everyone around her. This honesty opens her up to new possibilities in her personal and work life.

Lila also begins to trust Phoebe. She feels Phoebe is the only person who will be honest with her, even about small things—like food stuck in her teeth. Lila admits she has been living the way she thinks others expect her to, not the way she truly wants.

As Phoebe and Lila push each other to face the truth, both women confront their own grief, fears, and hopes. Whether dealing with failed IVF, divorce, or loss, they are each trying to build a future where they don’t feel alone. These deeper conversations make the book much more emotional and thoughtful than a typical rom‑com.

books, Family Drama, literature, reading

Tell Me Everything by Elizabeth Strout

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Elizabeth Strout brings many of her familiar characters back together in Crosby, Maine. By pulling in people and histories from her earlier books, she continues the character‑driven storytelling she’s known for.

This time, Lucy Barton and her ex‑husband William, Bob Burgess and his wife Margaret, and Olive Kitteridge and her friend Isabelle Goodrow all end up in the same orbit. It’s an unusual mix, and even when I tried to map out how everyone was connected, it still felt tangled. What holds the book together is the way these characters pair off and share stories about other people. There is a lot of this. Bob hears about his sister‑in‑law’s declining health from his sister instead of his brother. Olive learns about Isabelle’s future living situation from the retirement‑home staff. Bob hears about Lucy’s plans from William. Almost everything comes secondhand, like gossip passed along before reaching the source. It made me want to know the full truth behind each story.

Each character is trying to understand not only their own place in the world but also what life means more broadly. Lucy and Olive meet to talk about “unrecorded lives,” hoping to shine light on people who might otherwise be forgotten. The fear of not being remembered—or not mattering—runs through many of Strout’s stories about these women, and it feels like the force behind their need to tell and retell these moments.

Bob’s murder case also ties into this theme of being seen. The young man accused of killing his mother has lived a life mostly unnoticed while caring for her. Bob helps bring him into a world he has been shut out of. This storyline requires action based on what Bob observes in the present, while many of the other stories rely on looking back at things that have already happened.

I enjoyed reading about these people, but this is a very contemplative book.

book-review, books, Family Drama, literature, reading, romance

Atmosphere by Taylor Jenkins Reed

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This story explores the expectations society places on women and the personal cost of trying to meet them. It takes place in the male‑dominated world of 1980s space exploration, where women are only beginning to break through. Reading it reminds us how much has changed in the last 40 years.

The book uses two timelines that eventually come together. This structure shows how each choice Joan Goodwin makes leads her to the moment she is living now. The back‑and‑forth kept me engaged, trying to connect her past to her present and guess what would happen next.

Joan tells her own story. As a child, she loved the stars and pushed through tough science classes to become an astronomer. She earned her doctorate and became a professor at Rice University. She was proud of what she had achieved and didn’t expect to go any further. Is it a mirror opposite of her sister, Barbara, who challenged rules in her own way but still felt trapped by society’s expectations. Barbara’s daughter, Franny, is raised by both her mother and Joan.

Everything changes when Barbara finds an ad calling for women to apply to NASA and shares it with Joan. Joan applies on a whim, never thinking she’ll be chosen. But she is—and suddenly she must put her own goals first. As she steps into this new world, her relationships shift, especially with her sister. Joan begins to see how often she lets others define her place in their lives.

During astronaut training, Joan forms a new circle of friends—Hank Redmond, John Griffin, Lydia Danes, Donna Fitzgerald, and Vanessa Ford. They help her see new possibilities for her life. As her love for space grows, so does her sense of self. When she falls in love for the first time, she again faces pressure to hide who she is and fit into a role others expect.

When the two timelines finally meet, Joan understands what she wants, who she is, and what she stands for. She stays true to herself and supports the people she loves as they try to do the same.

book-review, books, Family Drama, literature, reading

Peace Like a River by Leif Enger

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This novel is a tribute to family, faith, and love. Told through the voice of 11‑year‑old Reuben Land, the story begins with the miracle of his birth. His father, Jeremiah, arrived late to the delivery room. After 12 minutes without breathing, the doctor told Reuben’s mother there was nothing more to be done. But Jeremiah picked up his son and commanded him to breathe in the name of the living God—and Reuben did. From then on, however, Reuben lived with severe asthma.

Jeremiah had once studied medicine but gave it up to follow the path of God. He worked humbly as a janitor at the town school. A man of deep faith and honor, he saved his son’s teenage girlfriend from being attacked in the boys’ locker room during a football game. The boys involved were known troublemakers who had terrorized the town, and they soon turned their anger on the Land family. They harassed them repeatedly, even kidnapping the youngest daughter, Swede, and hurting her before returning her home. At that point, Reuben’s older brother Davy realized the danger would never end. Armed with a shotgun, he waited in his room. When the two boys broke into the house, Davy shot them dead.

Although Davy believed he was protecting his family, he knew he had taken human lives. He was arrested but later escaped from jail and disappeared. Jeremiah, desperate to find his son, gathered the family into an Airstream trailer and set out toward the Badlands.

Both Davy and Reuben were the focus of their father’s prayers, but those prayers came with a cost. Reuben had been given life, yet his breathing remained weak and difficult. Davy knew his father prayed for God’s help against the family’s tormentors, but the price was heavy—Davy’s own act of violence. The novel suggests that faith can bring solutions, but those solutions are not always the same as justice.

The writing is strong, though at times the events feel a little unbelievable. Still, the family’s love and faith in one another never waver, making this a powerful story about resilience and devotion.

book-review, books, Family Drama, reading

The Swimmers by Julie Otsuka

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We start by meeting a group of people dedicated to swimming in a community pool. The habits of these people, told with no emotion, are detailed. The pool rules are detailed and lived by. The people, from all walks of life, have different reasons for being there. All are detailed for us.

A crack is found in the pool, and the reactions of the pool staff, specialists, and swimmers are all detailed. There are things that can be done, they don’t know what the source is, the cracks disappear for a few days, but then they are back. The unknown is making people uneasy, the swimmers start to find other places to go, only a few remain to the very end.  

Throughout, there is Alice – swimming and unperturbed by what is going on. 

The second half of the book focuses on Alice. She is being placed in a memory care ward by her family. The slow decline of Alice – from waiting by the door for her husband to pick her up to not knowing who is visiting is heartbreaking. At home her husband refuses to change the sheets or wash her nightgown, as he misses her.

The story – starting with the swimming pool – is about the decent into dementia. The impact a fissure in the brain, the specialists trying to help, the inexplainable coming and going of symptoms, and the inevitability of the disease. This unique way of bringing the story alive made it all the more moving by needing to make the connections in your own head shows the complexity of the disease.

Well written and thought provoking, I look forward to more from this author.

book-review, books, Family Drama, reading

The Berry Pickers by Amanda Peters

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A migrant family from Nova Scotia picks berries in Maine each summer. These regular workers come and set up house, welcoming the same migrant families to the farm with them to share the labor. The families are full of love and joy as they gather each year together. One summer, however, things take a bad turn. The two youngest – Joe and Ruthie, 8 and 4 respectively – are out one afternoon. Joe leaves Ruthie sitting on a rock in the sunshine not far from the house, and she disappears. The family is distraught, and spends days, and then years searching for her. They only stop returning each summer after Charlie is killed. While neither of these tragedies is their fault, they are blamed because they are Indian.

Norma grows up in a home stifled by an overprotective mother. Norma was the miracle child after many miscarriages. She spent her life under constant watch of her mother, never allowed to be out of her sight. Photos of her before the age of 5 don’t exist, and Norma was told they were lost in a fire. Her Aunt June provides a respite from this stifling love. Norma was plagued by nightmares as a child – the smell of open fires and potatoes, a mother that is not her mother, and more. She is told they are her imagination. She even names her doll Ruthie and has an imaginary friend named Joe.

Told in alternating voices of these two people as they reflect on what had been real, what had been hidden in plain sight, and the agony of not putting things together are heard from both. The regrets of things not understood, things being ignored, or things being kept from them, shaped their lives.

Anger and sadness – two sides of a single coin. Anger consumes Joe, the last person to see Ruthie before she disappeared, as he runs from his family, himself, and his sadness for decades. Sadness consumes Norma, the person that chooses to be by herself because she can’t accept joy of building a family when she feels there is something missing, and the anger at being lied to by all she thought she loved. By facing themselves, forgiving others, and allowing others to help, both are given the gift they were both looking for – love.

book-review, books, Family Drama, literature, reading

The redhead by the side of the road by Anne Tyler

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This is the story of Micah, a fortyish year-old man that lives in a basement apartment where he is the super, runs a free-lance computer tech business, and lives a regimented and predictable life. We see how Micah is in need of this structure, but yet his dreams and his visualizations tell you otherwise. When he is running each morning without his glasses, he believes that the fire-hydrant is a redhead child and that there are other objects that resemble people also. Then there is the dream of a baby being left at a store in an actual dream.

When a teenage boy shows up on his doorstep asking if Micah is his father, however, what Micah thinks is normal is turned on its head. He begins to examine his life, and his choices, that have left him alone (his girlfriend Cass of three years had just left him) and unhappy. This awakening, something that Anne Tyler writes about in such beautiful language, is how the book ends.

Similar themes as in most of Tylers books, this is yet another example of how living a small life comes at a cost.